Play Along Piano

Tags

Baroque

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Hotteterre French Suite Op. 2 No. 1 - Prelude (for Recorder or Oboe)

Peeta Lim

3:27	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Recorder	15	0	2	8	100%
Harpsichord	25	23	6	10	97%
	17	0	4	6	98%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Recorder	15	0	2	8	100%
Harpsichord	25	23	6	10	97%
	17	0	4	6	98%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	0	5	9	100%
Mellophone 2	18	0	4	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	5	9	100%
Mellophone 2	18	4	6	100%
Mellophone 3	11	2	6	100%
Trombone	25	8	3	100%

HWV8A1N7 - "Lontan del mio tesoro" in C Major

edward.maurath

5:20	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
Violoncello	20	0	3	5	100%
Mirtillo	17	0	6	6	76%
Contrabasses	8	0	0	5	10%
Viola	9	0	0	4	10%
Violins 1	9	0	0	5	10%
Violins 2	10	0	0	4	10%
Violoncellos	8	0	0	5	10%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
Violoncello Continuo	23	0	7	5	97%
Arsace	18	0	6	7	74%
Violini	21	5	4	4	66%
Contrabassi Continuo	19	0	4	5	63%
Contrabasso Continuo	19	0	4	5	63%
Violoncelli Continuo	19	0	4	5	63%

HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)

edward.maurath

4:43	Est. Play Time
51	Measures
	1,285Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	23	0	8	4	99%
Contrabassi (Continuo)	22	0	7	4	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	23	0	8	4	99%
Contrabassi (Continuo)	22	0	7	4	97%
Violoncelli (Continuo)	21	0	7	4	97%
Cemballo (Continuo)	26	37	9	5	90%
	33	23	12	6	96%
Violins I	22	0	6	4	95%
Violins II	21	0	5	4	91%
Tenor as Goffredo	14	0	5	6	60%
Bassoon (Cembalo)	18	0	4	4	47%
Oboe	18	0	5	4	47%

Handel: Number 6, "Gloria Patri" from "Nisi Dominus," HWV 238

edward.maurath

3:45	Est. Play Time
56	Measures
	1,423Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	6	88%
	11	0	2	7	91%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	6	88%
	11	0	2	7	91%
Soprano	14	0	2	7	89%
	14	0	2	7	80%
Tenor	12	0	1	7	79%
	13	0	1	7	88%
Organ	19	32	3	7	87%
Organ	19	19	2	7	84%
Violin 2	12	0	2	6	75%
	16	0	2	7	84%
Continuo	16	0	1	7	77%
	19	0	2	7	81%
Cello Continuo	15	0	1	7	75%
	17	0	2	7	80%
Violone Continuo	15	0	1	7	75%
	17	0	2	7	80%
Violin 1	17	0	3	7	80%
	13	0	2	7	68%
Viola	16	0	1	7	79%
	12	0	1	7	70%
Bass	13	0	0	7	68%
	15	0	2	6	73%

Frescobaldi: "Canzon quarti toni dopo il post Comune" (1635)

SpaceGuru5

4:41	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	0	5	9	89%
	18	0	3	9	89%
	11	1	0	7	24%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	0	5	9	89%
	18	0	3	9	89%
	11	1	0	7	24%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

"Vieni o cara" from "Rinaldo," HWV 7 (1711)

edward.maurath

5:21	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	38	7	8	100%
	25	20	8	6	97%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	38	7	8	100%
	25	20	8	6	97%
Violoncello	25	0	8	6	97%
Argante	17	0	5	10	80%
Contrabasses	18	0	3	6	75%
Violoncellos	17	0	3	6	74%
Violin	16	3	3	7	72%